State of the Industry: Video Games | The Business | SAG-AFTRA Foundation
Casting directors, voice directors, an agent and working actors on the state of games in 2026: the market, celebrity...
Powerhouse Actor on the pang you feel when a classmate books, why actors are so prone to it, and a five step plan to turn envy into one useful move.
Watch and read the notesWorking actors and teachers on the craft itself: breaking down a scene, making a choice and playing it, and what separates a read that gets a callback from one that does not.
Casting directors, voice directors, an agent and working actors on the state of games in 2026: the market, celebrity...
John Goodman looks back on 50 years with an Equity card: dinner theater, commercials, the Coens, Roseanne, Karl...
The Heated Rivalry casting directors explain how they found Connor and Hudson, what a chemistry read is really testing,...
Jenny Lewis and Sara Kay of Lewis Kay Casting on chemistry reads over Zoom, self-tape myths, what a real choice looks...
Liz Sargent and the cast of Take Me Home on building a film around her sister Anna: listening without an agenda,...
Puppeteer and actor James Ortiz on landing Rocky through a casting director who remembered him, a bold audition choice,...
Samantha Sloyan on playing Margaret White in Mike Flanagan's Carrie: the freedom of not being liked, drilling a...
The cast of the Outlander prequel on playing the younger versions of beloved characters without imitation, researching...
Boyd Holbrook and Hiam Abbass on an Iraq War drama based on real people: script analysis before research, dropping an...
The LA Night 1 shorts showcase filmmakers on casting outside the system, the myth that disabled actors cost more,...
A SAG-AFTRA panel of shorts filmmakers on playing a whole arc in ten minutes, what an intimacy coordinator actually...
David Dastmalchian on getting clean, what casting director John Papsidera told him before The Dark Knight, and...
Sean Astin on what Patty Duke taught him on his first set, the training that made him commit to acting, and the...
Danny Boyle, Jack O'Connell and Guy Pearce on rehearsal, researching Rupert Murdoch from 1969 interview footage, and...
A coach at Speiser/Sturges Acting Studio walks through preparing sides for a first audition, from the cold read to...
Theo James and Kaya Scodelario on finding a character in the sides, keeping a series surprising, and surviving new...
The young cast and writer-directors of Tiny Fugitives on first jobs, open calls, chemistry reads built on games, and...
A SAG-AFTRA Foundation panel of working narrators on being a character inside the story, hearing your own voice...
Three actors on the auditions that became their first leads, the months of silence in between, and what changes when...
Léa Seydoux on the auditions that failed, learning by watching directors, adapting to every filmmaker, and why her...
The cast and filmmaker of I Hate Myself and Want to Die on playing a dark premise for real, finding comedy in small...
Devon Sawa and Sarah Murphree on The Girl in the River: drawing on your own past, building a backstory the script...
Kate Siegel on the random Thursday Hush was greenlit, her step by step monologue process, what letting go really means,...
Star Trek: Starfleet Academy actor Karim Diane on how he started booking once he stopped imitating other leading men...