Navigating the Actor/Manager Relationship | The Business | SAG-AFTRA Foundation
Four talent managers on a SAG-AFTRA Foundation panel explain what managers do, how to get their attention, what a...
Powerhouse Actor on the pang you feel when a classmate books, why actors are so prone to it, and a five step plan to turn envy into one useful move.
Watch and read the notesBuilding working relationships in an industry that runs on them, for people who find the word networking faintly embarrassing.
Four talent managers on a SAG-AFTRA Foundation panel explain what managers do, how to get their attention, what a...
Why an actor's job on social media is to be findable, credible and connected, and five kinds of collaboration that grow...
Puppeteer and actor James Ortiz on landing Rocky through a casting director who remembered him, a bold audition choice,...
Three actors who now write, direct and produce on how they got there: calling card shorts, hundreds of money asks, the...
The LA Night 2 shorts showcase filmmakers on writing yourself a role, cutting pages at lunch, trusting your casting...
Actors, a composer and a producer from the New York Night 2 shorts showcase on crowdfunding live, the SAG micro-budget...
A SAG-AFTRA panel of shorts filmmakers on playing a whole arc in ten minutes, what an intimacy coordinator actually...
Five beliefs that stop actors from reaching out, why each one sounds reasonable, and what actors who did 21 days of...
At a screening in MediaCityUK, Oscar-winning filmmaker Chris Overton explains how his 1.4 million pound feature Dust is...
What happened when 10 actors made about 560 outreach moves in 21 days: manager referrals nobody asked for, a film offer...
Five convention veterans on booking agents, table setup, autograph pricing, self-promotion and what to say to the fan...
Four UK casting directors on what to put in the email, when to send it, and the one that got an actor booked on a show...
How a no-agenda check-in text during a 21-day outreach run turned into a new manager and agent, and why the results...
What to wear, what to research, what to ask about fees and communication, and why any agent is not better than no agent.
Why the other actors in the hallway are not your competition, judged against a standard rather than each other, and...
A coach descended from one of Hollywood's great writer-directors on why she still started with nothing, and why nepo...
Alan Maldonado on why lateral relationships beat chasing people above you, and what short films still offer actors.
A SAG-AFTRA Foundation panel on posting with purpose, setting your off-limits topics, teasing projects under NDA and...
How to find the ad agency art and creative directors who hire commercial actors and print models in your own market.