Acting Tip: It's Not About The Lines
The dictionary definition of rote is mechanical repetition with little intelligence, which is a strange place to start...
The dictionary definition of rote is mechanical repetition with little intelligence, which is a strange place to start...
Why improv is training for listening, adapting and confidence, and how it exposes the places your character work is...
Another result-oriented note with no instructions attached. The fix is in the intention, and there is a four-part test...
The note given more than any other in class, why anticipation is the thing ruining scenes, and how to practice a skill...
Craft goals instead of result goals, a weekly self tape, and the cheap ways to fill yourself up creatively when nothing...
Why the other actors in the hallway are not your competition, judged against a standard rather than each other, and...
Be specific. Commit. Give me more subtext. What those notes actually mean, and why saying sure and guessing is the...
Why a coach who could sell showcases does not run them, who they still work for, and what to do with the money and the...
The part nobody mentions about location work is the loneliness. How to set up the housing, the visits and the routine...
You do not need it, you are allowed to want it, and there are working reasons a face that moves is worth more than a...
Fight, flight, freeze and fawn all show up in auditions. Which one is yours, why it is normal, and the four questions...
A coach descended from one of Hollywood's great writer-directors on why she still started with nothing, and why nepo...
Most actors audition to avoid losing a job they do not have. What it looks like to go the other way, and where the line...
Four types a coach dreads working with, what they have in common, and the preparation nobody ever sees that keeps...
The character party exercise: work out what you get cast as, find a real person who is it, and learn to do one thing...
The full conversation on lines you will not cross: guns, nudity, kissing, swearing, and the difference between a value...
The note is confusing until you work backward from the times it happened by itself. What was different, and how to make...
Background, commercials, verticals, soaps and student films. Why the only good reason to decline is that you do not...
Why auditioning is not the job, what a technique foundation is for, and the mistake beginning actors make in the first...
What to do with the empty stretches, cheaply, and why the skill you pick up for fun keeps turning into the thing that...
You do not have to move yet. Why online class is now closer to the actual job than the room is, and what to build where...
The main instruction is to change nothing unless asked. What to do with a note, how to handle a long wait, and why...
Nobody arrives with a wand to make you an actor. What to do with the years before anyone hires you, and two examples of...
What a coach actually does on a production, who hires them, and why the biggest names use one when nobody makes them.