Using Online Platforms to Fund and Finance Your Film | The Business | SAG-AFTRA Foundation
GoFundMe, Seed&Spark and Slated explain how creators actually raise money: audience building first, a 30 day sprint,...
GoFundMe, Seed&Spark and Slated explain how creators actually raise money: audience building first, a 30 day sprint,...
Three actors who now write, direct and produce on how they got there: calling card shorts, hundreds of money asks, the...
The LA Night 2 shorts showcase filmmakers on writing yourself a role, cutting pages at lunch, trusting your casting...
Obsession casting director Skyler Zurn on how Inde Navarrette won Nikki, why the audition felt like a bomb, what kills...
Actors, a composer and a producer from the New York Night 2 shorts showcase on crowdfunding live, the SAG micro-budget...
The LA Night 1 shorts showcase filmmakers on casting outside the system, the myth that disabled actors cost more,...
Why the waiting is the career rather than the toll on the way to it, three traps that turn a good year into a...
A SAG-AFTRA panel of shorts filmmakers on playing a whole arc in ten minutes, what an intimacy coordinator actually...
Casting directors on what they actually want to hear in a voice clip, and why the demo reel is not the thing that gets...
David Dastmalchian on getting clean, what casting director John Papsidera told him before The Dark Knight, and...
Sean Astin on what Patty Duke taught him on his first set, the training that made him commit to acting, and the...
Ross from Act On This tests four microphones on the same self-tape script, and the most expensive one is not the one he...
Danny Boyle, Jack O'Connell and Guy Pearce on rehearsal, researching Rupert Murdoch from 1969 interview footage, and...
A coach at Speiser/Sturges Acting Studio walks through preparing sides for a first audition, from the cold read to...
Theo James and Kaya Scodelario on finding a character in the sides, keeping a series surprising, and surviving new...
Five beliefs that stop actors from reaching out, why each one sounds reasonable, and what actors who did 21 days of...
At a screening in MediaCityUK, Oscar-winning filmmaker Chris Overton explains how his 1.4 million pound feature Dust is...
The young cast and writer-directors of Tiny Fugitives on first jobs, open calls, chemistry reads built on games, and...
Programmers from the Black List, the Sundance Institute, Stowe Story Labs and Anti-Gravity Academy explain how their...
A SAG-AFTRA Foundation panel of working narrators on being a character inside the story, hearing your own voice...
Three actors on the auditions that became their first leads, the months of silence in between, and what changes when...
Léa Seydoux on the auditions that failed, learning by watching directors, adapting to every filmmaker, and why her...
The cast and filmmaker of I Hate Myself and Want to Die on playing a dark premise for real, finding comedy in small...
A live Q&A on self tape kit, which tapes to turn down, where first TV roles come from, labeling your Spotlight clips...