5 Things Actors Should Know About Sense Memory and Lines
Drawn from what is actually said on camera, so you can decide whether to
spend the 2:16 watching it.
You already have the system and are not using it deliberately
Sense memory is memory stored through the five senses. It is unusually durable, which is why a smell or a song can drop you back into one specific moment from years ago without any effort at all.
That is the whole move. Rather than drilling words, attach them to sensory material, so the same machinery that keeps a childhood smell available for forty years is holding your scene.
What do I see, what do I hear, what do I smell, what do I touch, what do I taste, and what do I sense. Answered specifically, they construct the scene as something you were in rather than something you read.
The distinction he draws is between memorizing words and encoding an experience. One lives in the head and evaporates under pressure. The other is stored the way real experiences are stored.
His opening instruction is to stop running the lines, on the grounds that the body already knows how to remember things. The work moves from repetition to paying attention, which is a different activity entirely.
Stop drilling your lines because your body already knows how to memorize them. You have this powerful hidden memory system in your body that you probably don't even know you're actually using. It's your sense memory. So, your sensory memory is exactly what it it means, exactly what it says. It is memories that are stored through your five senses. And it's a powerful memory system because these memories last a long time, maybe even a lifetime. In fact, you probably have a smell or a song that when you hear that or smell that, it instantly transports you back to a very specific moment in your life, right? And when you do that and pair that with dialogue, it changes everything. And the way we do this in intentional acting is we ask third question of the nine questions of intentional acting. What is the experience of the scene? Now to create the experience of the scene, you have to ask yourself what do I see? What do I hear?
What do I smell? What do I touch? What do I taste? And what do I sense? And when you're doing this, you're actually encoding the story and the words in your body as a real experience. And the the difference between rope memorization and intentional memorization is intentional memorization you are connecting the meaning of these words to memories and your senses and encoding it in your body so that you can internalize the story and the script. So remember to ask yourself what is the experience of the scene? What do I see, hear, smell, touch and taste? What do I sense? And if you want to know more about the third question of the nine questions of intentional acting, buy the book, Stop Memorizing Your Lines and follow me on your social media platform.
0 comments